<p>The Eureka College Administration Building and Chapel are the two oldest buildings on the campus of Eureka College in Eureka, Illinois. The administration building was built in 1858; as the campus became too large to fit in one building, the chapel was added in 1869. The buildings were the only ones at the college for almost twenty-five years and are still the focal point of the campus. In addition to their role in the college&#39;s history, both buildings are architecturally significant. The administration building has an Italianate design, which can be seen most prominently in the frieze and roof overhang, with Federal-influenced windows and Georgian main entrances. The chapel has an Italian Villa design with bracketed eaves and tall, thin arched windows.</p><br>
<p>The buildings were added to the National Register of Historic Places on May 31, 1980.</p><br>
<p>The Adlai E. Stevenson I House is a historic house located at 104 West Walnut Street in Metamora, Illinois. The house was the home of USA Vice President Adlai Stevenson I. Stevenson lived in the house with his wife, Letitia Green, from 1866 until 1869, while he was a circuit lawyer on Illinois 8th Judicial Circuit. He became a USA Representative in the 1870s and served as USA Postmaster General during Grover Clevelands first term in office; during Cleveland&#39;s second term , he served as vice president. The house, which was built in the late 1830s or early 1840s, has a Federal design with a decorated entrance that is flanked by pilasters and sidelights and topped by a transom.</p><br>
<p>The house was added to the National Register of Historic Places on March 18, 1980.</p><br>
<p>The Joseph Schertz House is a historic house located on Illinois Route 116 1 mi west of Metamora, Illinois. Built in 1862 for area pioneer Joseph Schertz, the house is an example of a Greek Revival styled I-house. The two-story house is composed of a central hall and stairway with a room on either side on each floor, the typical I-house floor plan, and is topped by a side gabled roof. Key Greek Revival elements of the house include its six-over-six windows with stone sills and lintels and its frieze board and cornice below the roof.</p><br>
<p>The house was added to the National Register of Historic Places on April 20, 1995.</p><br>
<p>The William J. Reimbold House is a historic house located at 950 White Street in Nauvoo, Illinois. The house was built in 1865-67 for William and Christian Reimbold, who were part of a wave of German immigrants who settled in Nauvoo in the 1860s and 1870s. After the Mormons and Icarians left the city, the immigrants bought up the vacated land at low prices and were largely responsible for the citys continued development. The Reimbolds were part of the citys winemaking industry, one of the most significant parts of the city economy formed by the immigrants; their stone wine cellar still stands on their property. The Reimbold House is one of two German immigrant homes, and the only one with an intact wine cellar, remaining in Nauvoo&#39;s Mormon Flat district, as the rest were destroyed during a period of Mormon restoration in the twentieth century.</p><br>
<p>The house was added to the National Register of Historic Places on December 2, 1987.</p><br>
<p>The Norris and Harriet Coambs Lustron House, also known as the Coambs-Morrow House, is a historic Lustron house located in Chesterton, Indiana. It was built in 1950, this was one of the last manufactured Lustron homes  of the 2500 sold and produced by the Lustron Corporation. The house has a Lustron two-car detached garage and is located in a pre-World War II subdivision with some homes dating before World War I. The house is a one-story ranch style with no basement. It contains three bedrooms  with living room, dining area, kitchen, utility and bathroom totaling 1,200 ft&sup2; of living space.</p><br>
<h2>Exterior</h2><br>
<p>The exterior of the Lustron house and garage are covered with porcelain enameled steel panels, including the shingles, gutters, downspouts, gable ends and exterior wall coverings. The exterior panels are 2 ft square. The steel exterior doors are likewise finished in the same manner with glass panel inserts. The stationary and casement windows are aluminum framed.</p><br>
<p>The roof overhangs at the front and rear but is nearly flush at the gable ends. The south elevation faces Bowser Avenue. It has two picture window groups, each consisting of four-light casements flanking a fixed picture window. The picture window group to the west is in a slightly projecting bay. To the far right (east) is a pair of small casements.</p><br>
<p>The west elevation has the primary entry sheltered under an aluminum awning. North of this is a picture window grouping.</p><br>
<p>The east elevation has two pairs of symmetrically placed casement windows.</p><br>
<p>The north wall has a picture window group to the far left (east), a single casement, a door, and another pair of casement windows.</p><br>
<h2>Garage</h2><br>
<p>The garage is a simple gable roofed building. On the north are two overhead vehicle doors. The east wall has a door and window.</p><br>
<h2>Interior</h2><br>
<p>The interior of the house has two areas. The north half of the house contains the public areas: living room/dining room, kitchen, and utility room. On the south are three bedrooms. The interior is covered with porcelain enameled steel panels of various sizes and designs. Most interior wall covered by 2 by panels with vertically scored lines. Ceiling panels measure 4 by.</p><br>
<p>Panels in the kitchen, utility room and bathroom are 2 ft square. The interior enamel color is primarily of "battleship gray." No wood is used in the window trim, door trim or base trim. There are no load-bearing partitions, thus the designs included steel wall furniture and enclosed closet space. Between the dining area and kitchen is a buffet with shelves and drawers on one side and kitchen cabinets with shelves and drawers on the other side. There is a strong art deco influence. The porcelain enameled steel furniture unit between the living room and adjoining bedroom contains a mirrored bookcase on one side and a mirrored vanity and counter top with drawers and doors for closet space on the other side, again, with a sculptured look. All wall corners are rounded—inside and out. This is all part of the "streamlined" look with clean, uncluttered lines and a lack of ornamentation.</p><br>
<h2>Bibliography</h2><br>
<p>"Big Plans for a Little House," Business Week, p. 44, October 16, 1948.</p><br>
<p>Brochures, Camera Tour Through Lustron Home, The Lustron Home, Lustron Garages. Copies in collection of present owner James P. Morrow</p><br>
<p>Lustron Newsletter, February 24, 1950, Vol. 3 No. 8.</p><br>
<p>Ohio Historical Society, Columbus, Ohio, Collection #MSS861 of Lustron history and documents, including: Advertisements from the 1940s, Agreements, Congressional Record, 1947–1951, Corporate Records, Correspondence, 1946–1971, Dealers, 1949–50, Newspaper, clippings, 1947–1982, Newspaper clippings, 1948–51, Press Releases, 1946–1959, Price Lists, Costs, 1949–1950, Reports, 1947–1953, United States Senate Special Subcommittee on Banking and Currency, 1948, Life Magazine, April 19, 1948, Lustron advertisement, Records from Lustron donated by R. Harold Denton to Ohio Historical Society in Columbus, Ohio, collection #MSS861</p><br>
<p>Wolfe, Tom and Garfield, Leonard, "A New Standard for Living: The Lustron House, 1946-50," Perspectives in Vernacular Architecture, 1989, The Curators of University of Missouri Press, Columbia, Missouri.</p><br>
<p>The Dr. A.M. Brown House is a house in Birmingham, Alabama, built. It was designed by W.A. Rayfield, one of the first African-American architects in Alabama for Dr. Arthur McKinnon Brown, one of the first African-American physicians in Birmingham.</p><br>
<p>The house is a -story bungalow-style building with a deep porch across the front and sides supported by rusticated concrete block pillars. The ground floor walls are constructed in a similar fashion. A broad front dormer has a balcony projecting forward with a small pediment over the entrance.</p><br>
<p>The Brown House was placed on the National Register of Historic Places on June 20, 1974.</p><br>
<p>The Godahl Store is a historic consumers&#39; co-operative general store established in the unincorporated community of Godahl in 1894. It was listed on the National Register of Historic Places as the Nelson and Albin Cooperative Mercantile Association Store in 1987 for its local significance to commerce. The store was in business through 2016.</p><br>
<h2>Description</h2><br>
<p>The Godahl Store&#39;s original wing is two stories with a false front and gable roof. A one-story addition wraps around the rear and north side of the store. Both portions are wood frame with clapboard siding. A one-story, wood-frame warehouse stands behind the store.</p><br>
<h2>History</h2><br>
<p>The Godahl Store originated in a rural farming district on the border of Watonwan and Brown County, an area settled by Scandinavian immigrants in the 1870s. Isolated from the nearest towns by a full day&#39;s wagon journey, the local residents had limited access to distribute their agricultural products or purchase manufactured goods. With bylaws written in Norwegian and shares available at $20, the association contracted with ten men to construct a store opposite the Godahl creamery.</p><br>
<p>The Godahl Store was completed in August 1894 and stocked groceries, dry goods, and tools. It bought local produce and resold goods acquired in St. James and La Salle. In 1895 a warehouse was added to store hardware like nails and fencing, and the following year the main building was expanded with an addition wrapping around the north side and rear.</p><br>
<p>The Godahl Store became the nucleus of the dispersed community. It served as the local post office and became a central gathering place for meetings and social events. In 1905 the store installed one of the first telephones in the area, and later housed a branch of the Watonwan County Library.</p><br>
<p>The exterior was modified in 1916. The building&#39;s false-front façade and small south addition were likely added at this time. The creamery failed in 1956 as dairy farming subsided in the area, so the mercantile bought the building as a warehouse for feed, seed, and fertilizer.</p><br>
<p>The Henry Stussi House is a historic Gothic Revival house in Stillwater Township, Minnesota, United States, dating to the late 1870s. It was listed on the National Register of Historic Places in 1982 for its local significance in the themes of architecture and commerce. It was nominated for being one of Washington County&#39;s finest rural houses, and for its association with a notable figure in the local milling industry and ice trade.</p><br>
<h2>Description</h2><br>
<p>The Henry Stussi House is a two-story brick building with a three-story tower. It is cruciform in shape. The main section and the tower both have gable roofs embellished with decorative wooden pendants and finials. The front façade has stone pilasters at both corners. The house is adapted from a design in a Palliser, Palliser & Company pattern book.</p><br>
<h2>History</h2><br>
<p>Henry Stussi moved to Stillwater, Minnesota, in 1871, where he purchased and upgraded a mill that produced both flour and animal feed. In the late 1870s he had this home built outside of Stillwater overlooking Twin Lakes, where he engaged in farming and ice cutting.</p><br>
<p>The Citizens Building is a historic commercial building at 723 Central Avenue in Hot Springs, Arkansas. It is a narrow six-story steel and masonry structure, built in 1911–12. It was the first skyscraper to be built in Hot Springs, and was immediately noted for its dignified exterior. The first floor consists of a colonnade of stone arches, above which four identical floors rise, finished in white glazed brick manufactured by the Leon Tiffany Company. The top floor is set off from the lower floors by a band of corbelling, and is topped by a dentillated cornice.</p><br>
<p>The building was listed on the National Register of Historic Places in 1979.</p><br>
<p>The Cyrus Felt House is a historic house located along the Mississippi River and Illinois Route 96 3 mi north of Hamilton, Illinois. The house was built circa 1834 by Cyrus Felt, a New Hampshire native who moved to Hancock County in the early 1830s. Felt was a prominent citizen of the town of Montebello, which was the second-oldest town in the county but has since been abandoned. Felts house has a French-inspired design, likely influenced by the areas substantial French population, with Greek Revival details. The house&#39;s porches, columns and roof line give it its predominant French character, while its window and door heads are its most prominent Greek Revival features.</p><br>
<p>The house was added to the National Register of Historic Places on March 18, 1980.</p><br>
<p>The Northwoods Historic District in DeKalb County, Georgia consists of five adjoining residential neighborhoods, including Northwoods, Fleetwood Hills, Gordon Hills, Gordon Heights and Sequoyah Woods. The Northwoods, Gordon Hills and Gordon Heights neighborhoods are all located within the city limits of Doraville, Georgia, and Sequoyah Woods and Fleetwood Hills are located in unincorporated DeKalb County. The district was developed in the 1950s and 60&#39;s and consists of approximately 530 acres with a total of 922 historic/contributing resources.</p><br>
<p>On June 2, 2014 the Northwoods Historic District was added to the National Register of Historic Places. The district is significant because it is an intact example of midcentury and contemporary architecture in Georgia. The district was developed to provide affordable homes that met VA and FHA requirements and other amenities for middle-class workers in nearby industries, including the General Motors automobile factory Doraville Assembly, Delta, Lockheed and others.</p><br>
<p>As a planned use development, the district serves as an early example of a mixed-use development, with schools, churches, offices and homes all located within the district. The Northwoods Area Neighborhood Association sponsored the nomination for recognition, and the Heritage Preservation Program at Georgia State University prepared the nomination materials and conducted the supporting research, interviews and community meetings as well as gathered and preserved a number of historic documents and pictures. The Northwoods Area Neighborhood Association has served the district for over 50 years of its history and continues to do so today by providing a sense of community for Northwoods and the surrounding areas.</p><br>
<p>On October 10, 2019, the US Board of Geographic names approved names for two creeks based on an application from the Northwoods Area Neighborhood Association and with the support of the City of Doraville. The first is Northwoods Creek, which is named for the Northwoods Historic District. The second is Stewart Creek, which is named for Stewart Lake, which was formed in an old rock quarry dug during the Great Depression by workers with the Works Progress Administration. While the lake is no longer there, it seems appropriate that the creek bear its name.</p><br>
<h2>Architecture</h2><br>
<p>After initially developing some plain style ranches in the south-western portion of the district, the primary developer of Northwoods, Walter Talley, hired Georgia Tech architects Ernest Mastin and John Summer to design a variety of contemporary homes and floor plans. When switching from the plain style ranch house to the more contemporary designs, Tally was initially met with skepticism from lenders. The Providence Institute for Savings made one of the initial loans to Tally, but required that Tally build five conventional houses along with five of the more original contemporary houses designed by Mastin and Summer to limit the lender&#39;s perceived risk. With strong demand for the contemporary designs, lenders soon gave Tally the flexibility he needed to develop Northwoods using a variety of contemporary designs. This focus on both design and cost are clearly reflected in an early advertisement promoting "Houses of Smart Design and Superior Constructions" in Northwoods for prices between $13,350 and $15,300 (a median price of $ in dollars).</p><br>
<p>Tally, Mastin and Summer used contemporary and mid-century modern design features to ensure both the affordable pricing and the high quality that appealed to DeKalb Countys burgeoning middle class. Mastin and Summer drew significant inspiration from contemporary designs in California, and they found ways to incorporate many contemporary design features into the districts modest homes. One notable and unique architectural feature in the district is the use of brick from the foundation up to the window sills of many homes with other materials from the window sills to the roofline. This feature was designed to balance buyers&#39; desire for brick with the goal of affordability.</p><br>
<p>With designs inspired by the successful Northwoods neighborhood, the other neighborhoods in the district (Gordon Hills, Gordon Heights, Sequoyah Woods and Fleetwood Hills) are generally consistent in design and share many of the same architectural features as the Northwoods neighborhood.</p><br>
<h2>Notable buildings</h2><br>
<p>The Herb Butler Union Hall located at 5407 Buford Highway served as the home to the United Autoworkers, Local 10 until the closure of General Motors Doraville Assembly in 2008. Designed by Phillip Windsor, the Herb Butler Union Hall is significant both architecturally and as a tangible reminder of the districts middle-class roots. The hall is named after James Herbert "Herb" Butler (November 4, 1927 – February 21, 2008), one of Local 10&#39;s most influential members who served the union for over 50 years.</p><br>
<p>Renowned architect John C. Portman Jr. together with his associates designed both Sequoyah Middle School (formerly Sequoyah High School) and Cary Reynolds Elementary (formerly Sequoyah Elementary and Northwoods Area Elementary before that). These two schools are located in the Sequoyah Woods neighborhood in the district. The modern design of these two schools showcases some of Portman&#39;s early work. Portman later achieved notoriety for his design of Peachtree Center in Atlanta, the Renaissance Building in Detroit, Bonaventure Hotel in Los Angeles and Western Warsaw Hotel in Poland. There is a plaque outside each school recognizing Portman and Associates for their modern designs.</p><br>
<p>Cary Reynolds Elementary was recently recognized by the Georgia Trust for Historic Preservation as one of its 2019 Places in Peril. Opened in 1961, the school features several of Portman’s signature stylistic motifs, including the central green space and light wells above the windows. As recognized by the Georgia Trust for Historic Preservation, this building is awaiting long-promised investment and renovations by the DeKalb County School District. Neighborhood advocates are concerned that a failure to invest in needed maintenance will negatively impact students and faculty and jeopardize the long-term impact on the preservation of this architectural treasure.</p><br>
<h2>Neighborhoods</h2><br>
<p>Northwoods is the largest of the five neighborhoods included in the district, and it contains the districts two parks, Brook Park and Autumn Park. Walter Tallys vision for Northwoods was that it would be a "city within a city" that included within it a variety of uses. Unlike many planned neighborhoods today, Northwoods includes seven access points from city streets and county roads. Northwoods was developed in nine different units from 1950 to 1958, with Mastin and Summer responsible for the design of most but not all of the houses. Tally and Summer designed houses for themselves on McClave Dr. Most streets in Northwoods are named after the family members of the developers.</p><br>
<p>Gordon Hills, Gordon Heights and Sequoyah Woods have their origins in land owned by a farmer named Thomas Turner Stewart. With the passing of Thomas Stewart, John Gordon Stewart and Julia Stewart Strong inherited 160 acres and Marty Teru Creel inherited the remaining 60 acres.</p><br>
<p>John Gordon Stewart, who served as Mayor of Doraville from the 1920s to the 1950s, began developing Gordon Hills in 1948 with the majority of development occurring in the 1950s. The plans for developing the neighboring Gordon Heights were approved in 1955.</p><br>
<p>Sequoyah Woods is the newest of the five neighborhoods in the district, with development by James Embry occurring primarily between 1962 and 1964. The streets in Sequoyah Woods often have Native American–style names.</p><br>
<p>Fleetwood Hills, with its main entrance along Chamblee Tucker Road, was developed in four phases from 1955 to 1957. This neighborhood was developed by James Embry with Poe & King Engineers handling the layout of the roads and lots. Fleetwood Hills is the only neighborhood in the district other than Northwoods that has welcome signs identifying the name of the community.</p><br>
<h2>Current character</h2><br>
<p>The district remains as one of the more affordable communities in Northern DeKalb County, and it is now home to a diverse mix of cultures, including Hispanics, Koreans, Vietnamese, Chinese and many others. Buford Highway, which borders the northwestern side of the district, reflects this diversity in that it has become well known in Atlanta for its wide variety of authentic ethnic cuisines. The district was recognized by the website Curbed Atlanta in an article titled "Doraville’s Northwoods remains a midcentury modern treasure trove."</p><br>
<p>The Mountain Brook Estates Building is a commercial building in the planned community of Mountain Brook, Alabama. The neo-medieval building was built as the commercial center of the suburban community. Built in 1928, it is a steel structure clad with half-timbering meant to evoke an idealized English town center. Mountain Brook Estates is one of the three most significant examples of a romanticized suburb in the United States, along with Grosse Pointe, Michigan and Country Club Plaza in Kansas City, Missouri.</p><br>
<h2>Description</h2><br>
<p>The Mountain Brook Estates Building is a one and two story steel-framed structure with five ground floor commercial tenant spaces. Offices are on the second floor. It is situated on the town center circle, with one-story arms on side streets. The building is underlain by a full basement. The ground floor is mainly brick, while the upper level is mainly half-timbering and stucco. The roof is tile shingle. The design is a picturesque interpretation of early English town buildings.</p><br>
<p>The building was placed on the National Register of Historic Places on April 8, 2003.</p><br>
<p>The Sadler House is a frontier I-House with Georgian architectural elements in McCalla, Alabama. The original single pen log house was built by John Loveless, who moved to Alabama from South Carolina in 1816. The home&#39;s uniqueness is illustrated by and due to its original constructed form of a single pen log structure, now cocooned within the I-house, and the complex joinery details  used to hold the structural elements of the original house in place.</p><br>
<p>After Loveless&#39; death, his widow, Martha Daniel sold the two story clapboard-covered log cabin to Isaac Wellington Sadler. The house was expanded in 1838 by Sadler, a planter and teacher. The two-story wood-frame house has a shed-roofed addition to the rear and a matching front porch structure. The interior is arranged around an open center hall running as a breezeway through the house with two rooms on either side. The hall and one parlor have faux-painted wainscoting. The detailing of the trim in the formal parlor is Greek Revival, while the remainder of the doors are a plain board-and-batten pattern.</p><br>
<p>The Sadler House was placed on the National Register of Historic Places on April 23, 1975. It is owned by the West Jefferson Historical Society.</p><br>
<p>The Christian Dick Block is a historic commercial building located at 106 East Doty Street in Madison, Wisconsin. The building was constructed in 1889 for liquor wholesaler Christian Dick. The prominent Madison architectural firm of Conover & Porter designed the Richardsonian Romanesque style building; it is one of the citys earliest extant examples of both the firms work and the style. The building was added to the National Register of Historic Places in 2002.</p><br>
<h2>History</h2><br>
<p>Born in Cologne, Germany in 1845, Christian Dick immigrated to Madison in 1878 and established a wholesale liquor business. Dick purchased the triangular lot at the corner of King and East Doty Streets in March 1889 to be the new site of his business. He hired the architectural firm of Conover & Porter to plan the three-story building; while Dick had originally intended to build a two-story building, dance teacher F. W. Kehl convinced him to build the third floor and subsequently rented it as a studio. The building was finished later in the year; at the time, Madisons newspapers regarded it as a significant contribution to the citys commercial architecture. Dick ran his liquor business from the building&#39;s basement and leased the corner storefront to the Schlitz Brewery, which opened a saloon in the space; the second floor was used as a hotel until the 1920s.</p><br>
<p>The building was added to the National Register of Historic Places on December 19, 2002. Shortly before its nomination to the Register, the building was extensively restored; in the restoration process, it was connected to the neighboring E. W. Eddy Block.</p><br>
<h2>Architecture</h2><br>
<p>The Madison architectural firm of Allan Darst Conover and Lew Foster Porter designed the Dick Block. The two architects became partners in the mid-1880s, while Conover was a professor and Porter a student at the University of Wisconsin&ndash;Madison. Until the firm broke up in 1899, the two were among Madisons most prolific architects, designing over 50 public buildings and around 100 residences. The firm tended to use the Queen Anne and Shingle styles for homes and the Richardsonian Romanesque for larger buildings, including the Dick Block; both were popular styles in the late nineteenth century. Many of the firms works have since been demolished, and the Dick Block is one of its oldest surviving designs.</p><br>
<p>Built on a triangular plot of land, the building is roughly lozenge-shaped with a flatiron appearance from the front. Its Richardsonian Romanesque design is one of the oldest extant examples of the style in Madison; as many of the citys Richardsonian Romanesque buildings were later demolished, it is also one of the best-preserved. The building has a cream-colored brick exterior and a stone foundation; a buttress and groupings of windows are used to visually separate the building into its functional partitions. A conical tower marks the front corner of the building; the original main entrance is below the tower and is flanked by two sets of stone columns, one of the buildings most prominent Romanesque features. The upper-story windows are topped by brick arches, a common Romanesque element; the second-story windows have segmental arches, which the third-story windows have round arches.</p><br>
<p>The Orthwein Mansion is a historic mansion in St. Louis, Missouri, in the United States. It sits at 15 Portland Place, near the northeastern corner of Forest Park.</p><br>
<p>The mansion was built ,</p><br>
<p>William D. Orthwein, his wife Emily, and their family lived there for 27 years. Their son William R. Orthwein was living there when he competed at the 1904 Summer Olympics, held in St. Louis, in the freestyle and backstroke swimming and water polo, winning bronze medals in the 4x50-yard freestyle relay and water polo.</p><br>
<p>The house has been listed on the National Register of Historic Places since February 12, 1974.</p><br>
<p>Portland and Westmoreland Places is a historic district in the Central West End neighborhood of St. Louis, Missouri. It is adjacent to the northeast corner of Forest Park. The district consists of 94 houses built circa 1890 to 1960. A wide variety of architectural styles are represented, including some of the finest examples of late nineteenth and early twentieth century architecture in the city.</p><br>
<p>The district includes houses along Portland Place and Westmoreland Place between Union Boulevard on the west and North Kingshighway Boulevard to the east. The district was added to the National Register of Historic Places in 1974.</p><br>
<p>Due to a quirk of the time period, a number of the streets are private streets rather than public ones. In the late 1800s, when the city government of St. Louis had not yet adopted a policy of aggressively paving streets, homeowners in the area privately paved the roads at their own expense, but also allowed them the right of exclusion on them. The result was something similar to a "gated community", albeit not entirely, as some public road access still exists. Additionally, during the tenure of St. Louis mayor Vincent Schoemehl, various city streets were blocked to create more isolated cul-de-sacs during a time of population decline for the city; while many of these changes were eventually undone, these changes tended to persist more in wealthy communities such as Portland and Westmoreland Places.</p><br>
<h2>2020 gun-toting incident</h2><br>
<p>In the wake of the murder of George Floyd, on June 28 around 500 protesters marched to Mayor Lyda Krewson&#39;s house. They used the private street Portland Place to try and cut through to hers a couple blocks away. Two residents, Mark and Patricia McCloskey, pointed guns at the protesters, and a video of them doing so went viral, being retweeted by President Donald Trump.</p><br>
<p>On July 20, the couple were each charged with one count of unlawful use of a weapon, a felony. They pled guilty to misdemeanors and were later pardoned by the governor.</p><br>
<p>The Morse & Co. Office Building is a historic commercial building at 455 Harlow Street in Bangor, Maine. Built in 1895, it was the headquarters for Morse & Company, one of the city&#39;s largest employers for nearly 100 years, and the last operator of a lumber mill  in the city. The building was listed on the National Register of Historic Places in 1973.</p><br>
<h2>Description and history</h2><br>
<p>The Morse & Co. building is set on the northeast side of Harlow Street, just south of its crossing of Kenduskeag Stream and northwest of the city&#39;s central business district. It is a two-story masonry structure, finished in mortared brick-shaped stone on the first floor and stucco on the second. An arched opening on the left side of the front facade shelters the entrance, with three recessed bay windows to the right. The second story has corner pilasters and Beaux Arts panels flanked by oculus windows with decorative surrounds. The cornice has dentil molding and modillions below a dormered hip roof.</p><br>
<p>Morse & Co. was founded in 1851 by Llewellyn J. Morse and Hiram P. Oliver, who leased and later purchased an 1814 sawmill on Kenduskeag Stream. The company was for many years a leading local lumber processor, but engaged in a wide array of other businesses, including the grinding of corn and salt, and the harvesting of ice. The companys products were used extensively in the rebuilding of Bangor after the Great Fire of 1911, and in the Victorian-era townhouses of Beacon Hill in Boston, Massachusetts. The company ended operations in 1948, resulting in the closure of the citys last lumber mill. This building was built as its headquarters and showroom in 1895.</p><br>
<p>The International Shoe Company Building is a historic shoe factory building located at 160 N. Main St. in St. Clair, Franklin County, Missouri. The building was erected in 1922 as a factory for the International Shoe Company. It is a three-story, irregular-shaped building with a flat asphalt roof. It has a four-story elevator tower. The factory closed in 1982.</p><br>
<p>It has been listed on the National Register of Historic Places since April 7, 1994.</p><br>
<p>The International Shoe Company Building is a historic factory building located at 665 Missouri Avenue in West Plains, Howell County, Missouri. The one-story building consists of two wings, one constructed in 1946 and another in 1952. The 1946 wing contains 41,400 square feet; and the 1952 wing contains 20,736 square feet. The building was erected as a factory for the International Shoe Company. The factory closed in 1993.</p><br>
<p>It was listed on the National Register of Historic Places in 2011.</p><br>
<p>The Four Corners–Goodnow Farm Historic District of Princeton, Massachusetts encompasses a rural agricultural area with well-preserved buildings dating from the 18th to 20th centuries. It is located in the western part of the town, and is centered on the junction of Old Colony, Gates, and Thompson Roads. The district was listed on the National Register of Historic Places in 2015.</p><br>
<h2>Description</h2><br>
<p>The town of Princeton was settled in the mid-18th century. The main east-west road through the district, designated Thompson Road east of the central junction and Old Colony Road to its west, was laid out along an old Native American path, and was known from an early time as the County Road. Gates Road, serving the local area, was laid out in the 1760s. The oldest farmstead in the district, that of Jedediah Brigham, was established in the 1740s, and much of it remains with the descendants of its original settlers. Its core portion, including the surviving house, is one of the oldest farms in Princeton.</p><br>
<p>The house at 114 Gates Road was built in 1761 by Isaac Thompson, whose landholdings were to the intersection&#39;s northwest. The area has remained predominantly agricultural during industrialization to a lack of usable water power, and the laying of railroads was limited to a line running east-west to the south of the district. Only a few modest homes have been built in the area since 1950, and most of the other houses date to the mid-19th century or earlier. Most of the land use remains in traditional patterns of open fields and wooded areas.</p><br>
<p>The Carthage Courthouse Square Historic District is a historic district encompassing the courthouse square of Carthage, Hancock County, Illinois. The district includes 52 buildings, 42 of which are considered contributing to the districts historic character. The 1908 Hancock County Courthouse, a three-story limestone Beaux-Arts building, is the centerpiece of the district. The courthouse is surrounded by commercial buildings, most of them built in the latter half of the nineteenth century. Architect George Payne designed many of the districts commercial buildings, giving him a reputation which spread beyond Carthage; his works include Italianate and Romanesque Revival designs.</p><br>
<p>The district was added to the National Register of Historic Places on August 13, 1986.</p><br>
<p>The Edgewood Historic District–Anstis Greene Estate Plat is a residential historic district in the Edgewood neighborhood of eastern Cranston, Rhode Island. The 34 acre area is bounded on the west by Broad Street, the east by Narragansett Bay, the south by Rosewood Avenue, and on the north by Marion Avenue, where it abuts the Edgewood Historic District-Shaw Plat. The area, originally part of a much larger property belonging to Zachariah Rhodes in the 17th century, was platted for residential development in the decades following the arrival of the streetcar on Broad Street, providing commuter service to Providence. The land was willed by Anstis Rhodes Greene to a group of heirs, who progressively developed their individual portions. The only significant surviving elements that predate this development are two small family cemeteries.</p><br>
<p>The district was listed on the National Register of Historic Places in 2015.</p><br>
<p>The Eastport Historic District encompasses the late 19th-century commercial center of the city of Eastport, Maine. Set on a five-block stretch of Water Street, this area was almost completely redeveloped after a major fire in 1886, and many of its buildings are the work of a single architect, Henry Black. The district was listed on the National Register of Historic Places in 1982, and enlarged slightly in 2016.</p><br>
<h2>Description and history</h2><br>
<p>The city of Eastport is located on Moose Island at the far southeastern tip of Maine, with the Canadian province of New Brunswick just across Passamaquoddy Bay. In the mid-19th century, Eastport served as a major regional commercial center, and developed a significant sardine-packing industry in the 1870s. On October 14, 1886, a fire devastated the city center, destroying its central business district and its commercial wharves. In the following year, the city rebuilt its downtown.</p><br>
<p>The rebuilt area extends along Water Street, the citys east-facing waterfront area, between Sullivan and Key Streets. There are 26 buildings that were built in 1887, with two more added by 1893, and one in 1928–29. Fourteen of the 1887 buildings were designed (or have been attributed to) Henry Black, an architect who had been based for some years in Saint John, New Brunswick. Black arrived in Eastport in February 1887, and was apparently the only architect directly involved in the rebuilding effort. Buildings typifying his work include the Eastport Savings Bank at 41 Water Street, and the Ferris & Son building at 4 Boynton Street, both Italianate in style, one in brick and the other in wood. Other architect-designed buildings in the district include the Peavey Memorial Library (1893, Rotch and Tilden), and the Frontier National Bank at 30 Water Street (1882, Charles Kimball). Most of the districts buildings are brick Italianate structures, although some are wooden, and the library is Romanesque in style. The 2016 enlargement added the former Seacoast Canning Company plant at 15 Sea Street; it was built in 1908 for what was at the time the world&#39;s largest sardine cannery company.</p><br>
<p>The Swift Creek Mill is a historic grist mill at 17401 Jefferson Davis Hwy in South Chesterfield, Virginia, just across Swift Creek from the city of Colonial Heights. Built about 1850, the present brick mill structure is one of a long line of mills that have occupied this site since the mid-17th century. The mill was adapted for use as the Swift Creek Mill Theater in the 1960s. It was listed on the National Register of Historic Places in 1974.</p><br>
<p>This was built in the 1600s not 1850s by Henery Randolph. William and Henry Randolph came to Jamestown then came up the James River to settle at Turkey Island around 1640. Then Henry moved to swift creek to build gristmill</p><br>
<p>The Mirror Lake Historic District encompasses Mirror Lake, a man-made lake in the Ozark-St. Francis National Forest near Fifty-Six, Arkansas. The lake was created by a crew of the Civilian Conservation Corps in 1940 by damming the creek emanating from Blanchard Spring. The district includes the lake, the dam, and two bridges, one of which was also built by the CCC, and a CCC-built observation shelter nearby. The area is now part of the Blanchard Springs Recreation Area.</p><br>
<p>The district was listed on the National Register of Historic Places in 1995.</p><br>
<p>The Jim Morris Barn is a historic barn on the south side of Arkansas Highway 66 in Timbo, Arkansas. It is a two-story gambrel-roofed frame structure, with a stone foundation and board-and-batten exterior. Built in a transverse crib plan, it has a narrow central path instead of a wide drive typical of the form. Built c. 1900, it is unusual in having been designed specifically for the stabling of horses, rather than more general-purpose usage of most area barns.</p><br>
<p>The barn was listed on the National Register of Historic Places in 1985.</p><br>
<p>The Mountain View Waterworks are a historic public water supply system in Mountain View, Arkansas. The facilities consist of a tower and well house, located at the junction of Gaylor and King Streets. The tower is a metal structure with four legs, reinforced by diagonal latticework members, topped by a water tank with a bowl-shaped bottom and a conical roof. A large pipe connects from the bottom of the tank to the well house, a square fieldstone structure. These facilities were built in 1936–37 with funding from the Public Works Administration, and were still in use at the time of the property&#39;s listing on the National Register of Historic Places in 2006.</p><br>
<p>The William Sauntry House and Recreation Hall is a historic property in Stillwater, Minnesota, United States, consisting of a late-nineteenth-century house and a 1902 addition styled after a Moorish palace. It was listed on the National Register of Historic Places in 1982 for its local significance in the themes of architecture and industry. It was nominated for its association with prosperous local lumberman William Sauntry  and for its fanciful recreation hall, one of Minnesota&#39;s best examples of a folly and a rare use of Moorish Revival architecture. Now in separate ownership, the recreation hall has been restored as a private home while the William Sauntry Mansion operates as a bed and breakfast.</p><br>
<h2>Description</h2><br>
<p>The generally rectangular form of the mansion is complicated with gables and hip roofed bays. It is generally Queen Anne in style, but has Eastlake movement millwork, an Italianate tower, and Gothic Revival details on the gables. The lower levels have horizontal siding while the attic level boasts fishscale shingling. A large porch with Corinthian order columns wraps around the front of the building.</p><br>
<p>Aligned directly behind the mansion is the recreation hall. This rectangular addition was originally attached to the main building by an enclosed second-level walkway. The exterior is stucco with inlaid stones. The roof is hipped with wide eaves supported by triangular brackets. An entrance from the side street is topped by a gabled dormer featuring a Palladian window with Moorish details. The recreation hall once housed a ballroom, reception hall, bowling alley, and swimming pool. The interior was richly carved and decorated with carved woodwork, double doors of leaded glass, and Arabic inscriptions.</p><br>
<h2>History</h2><br>
<p>William Sauntry was born in poverty around 1845 in County Cork, Ireland. When Sauntrys father died a few years later, his mother moved the surviving family of seven to New Brunswick, Canada. Sauntry began working as a lumberjack, and in the late 1860s he and several family members moved again to Stillwater, Minnesota, epicenter of the Upper Midwest lumber trade. Within five years, the hardworking and ambitious Sauntry was partner in a lumber company. Soon he was part-owner of the St. Croix Log Boom and managing the local interests of Minnesotas leading lumber magnate Frederick Weyerhaeuser.</p><br>
<p>Sauntry married Eunice Tozer, the daughter of a business partner, in 1881—around the same time he commissioned a house in Stillwaters North Hill neighborhood. Initially a modest 40 by, the house grew along with Sauntrys fortune. By this time Sauntry was estimated to be worth $2 million, and a series of architectural modifications added rooms, towers, porches, and upper stories to the house until it comprised 28 rooms and 7,000 ft&sup2;.</p><br>
<p>By 1889 Sauntry had added a billiard room and an outdoor tennis court. However his passion for physical activity and entertaining guests led him to commission a freestanding recreation hall behind the main house in 1902. Moreover, his fanciful nature decreed that the hall would be patterned after a Moorish palace (the well-traveled Sauntry had reportedly been inspired by the Alhambra during a trip to Spain). Both Moorish Revival architecture and dedicated recreation halls had some precedence at the time, but were quite rare in Minnesota. Architect Benjamin Marshall of Chicago designed the hall.</p><br>
<p>By the early 20th century, however, the forests of the Upper Midwest were logged out, the St. Croix Log Boom went out of business, and Sauntrys attempts to invest in mining were not turning a profit. On November 10, 1914, the 69-year-old lumberman left his Blair Flats apartment in Saint Paul and checked into a downtown hotel, where he shot himself in the head. Although Sauntrys fortunes were in some decline, his wife and other close associates were mystified by his abrupt suicide.</p><br>
<p>Following Sauntry&#39;s death, the house and recreation hall were divided into separate properties. In 1920 the recreation hall was converted into a three-unit apartment by its new owner, who had the pool and bowling alley removed and the ceilings lowered. In 1999 new owners began restoring the hall while making it functional as a single-family home. Over the course of a decade they restored the ballroom and foyer to their original decor, complemented with appropriately exotic furniture. The main house was also purchased by new owners in 1999, who made their own restorations and opened the property as a bed and breakfast.</p><br>
<p>The LeRoy F. Pike Memorial Building is the town hall of Cornish, Maine. It is located at 17 Maple Street . It was built in 1925-26 to a design by John Calvin Stevens and John Howard Stevens, with funds willed to the town by the widow of LeRoy F. Pike, a local businessman and politician. The building was listed on the National Register of Historic Places in 2007.</p><br>
<h2>Description and history</h2><br>
<p>The Pike Memorial Building is located in the main village of Cornish, a rural town in northern York County, Maine. It is set on the north side of Maple Street, the major east-west route through the village, just west of its central area. It is set back from the road, with a grassy front yard that has a concrete walk leading to a flight of low steps providing access to the building. It is a two-story wood frame structure, set on a high concrete foundation, with a high-pitched hip roof. The central portion of the front (south-facing) facade is demarcated by a gable in the roof, and four pilasters, two on either side of the double-door entrance. Between each pair of pilasters are narrow windows on the first and second level, and there is a three-part window above the entrance. Sash windows flank this entrance section on either side, with wooden panels separating the windows on the first and second floors. The building houses town offices and a large auditorium space.</p><br>
<p>LeRoy F. Pike was a Cornish native, lumberman, and local politician who served for many years in a variety of civic roles, including as town selectman, moderator, and constable. He died in 1915, and his widow, who died in 1922, willed to the town about $20,000 for the construction of a municipal building. The town retained Portland architect John Calvin Stevens and his son John Howard Stevens to design this Colonial Revival structure, which was completed in 1926. The building, in addition to housing town offices, has been used since then for municipal elections, and its auditorium has been used for all types of civic and private events.</p><br>
<p>The Old Searcy County Jail is a historic building on Center Street , on the south side of the courthouse square in Marshall, Arkansas. It is a two-story stone structure, built out of local sandstone, with a pyramidal roof topped by a cupola. The front facade, three bays wide, has a central bay that projects slightly, rising to a gabled top, with barred windows at each level. The main entrance is recessed in the rightmost bay. The buildings interior houses jailers quarters on the ground floor and cells on the upper level. Built in 1902, it was used as a jail until 1976, and briefly as a museum thereafter.</p><br>
<p>The building was listed on the National Register of Historic Places in 2010.</p><br>
<p>The Charley Passmore House is a historic house on Campus Street in Marshall, Arkansas. It is a -story wood-frame structure, finished with masonry veneer, gable roof, and stone foundation. A single-story porch extends across the front, supported by piers of brick and stone joined by arched spandrels. A gabled dormer projects from the roof above the porch. The house was built in 1938, and is an excellent local example of Craftsman architecture executed primarily in stone and brick.</p><br>
<p>The house was listed on the National Register of Historic Places in 1993.</p><br>
<p>The Oscar Redman Building is a historic commercial building at 119 East Main Street in Marshall, Arkansas. It is a simple concrete block structure, one story in height, with a parapet obscuring the flat roof. It has a single storefront, with plate glass windows flanking a recessed entrance. Built in 1920 by Oscar Redman to house his produce business, it typifies the response to declining economic conditions in the area, brought on in part by the advent of Prohibition.</p><br>
<p>The building was listed on the National Register of Historic Places in 1993.</p><br>
<p>Clay County Courthouse is a historic courthouse located at Brazil, Clay County, Indiana. It was designed by noted Indiana architect John W. Gaddis and built in 1914 in the Classical Revival style. It is a three-story, limestone building over a raised basement. It features a multi-tiered parapet with clock faces within a decorative tympanum and a two-story dome atop the flat roof. The interior has a rotunda with stained glass octahedral dome.</p><br>
<p>It was added to the National Register of Historic Places in 1999.</p><br>
<p>In 2001, a historical marker was erected on 609 E. National Road/US 40, Brazil.</p><br>
<p>Golladay Hall is a historic mansion in Grenada, Mississippi, USA. It was built in the 1850s on a Southern plantation for the Golladay family, members of the Southern aristocracy from Tennessee who owned plantations and invested in railroads. The mansion was used by Jefferson Davis, the President of the Confederate States of America, during the American Civil War. In 1932, a Golladay heiress was murdered inside the house. The mansion was restored in the 1950s.</p><br>
<h2>Location</h2><br>
<p>The mansion is located at 501 Margin Street in Grenada, Grenada County, Mississippi, USA. It is near the Yalobusha River.</p><br>
<h2>History</h2><br>
<p>The mansion was built in the 1850s. It was designed in the Greek Revival architectural style by architect John Moore. It was surrounded by 1550 acres of cotton and corn. The plantation had an overseer and African slaves. There was also an apple orchard and a vegetable garden.</p><br>
<p>The original owner was George S. Golladay, a planter from Lebanon, Tennessee who served on the board of directors of the Mississippi Central Railroad, and his wife Martha. The Golladays entertained prominent members of the Southern aristocracy such as James K. Polk, who served as the 11th President of the United States from 1845 to 1849, and Jefferson Davis, who served as the President of the Confederate States of America from 1862 to 1865. During the Civil War, the mansion remained in the Golladay family. President Davis used it as his headquarters. Meanwhile, Sam Golladay gunned down a Union officer, who had deserted the army, when the soldier approached the house. This resulted in the only casualty to happen in Grenada.</p><br>
<p>After the war, it was inherited by their daughter, Davidella, and her husband, George Lake, a dry goods merchant.</p><br>
<p>The mansion was inherited by Golladay&#39;s grandson, Golladay Lake. However, he sold it to Junius Townes and his wife, Adelaide, in 1954. The couple restored it. It was later purchased by the Bondurant family, followed by the King family.</p><br>
<h2>Architectural significance</h2><br>
<p>As a contributing property on the Margin St. Historic District, it has been listed on the National Register of Historic Places since April 7, 1988.</p><br>
<h2>Further reading</h2><br>
<p>Hinson, Betty. Golladay Hall: The Barbee/Lake Family Murder. Carrollton, Mississippi: Pioneer Publishing Company, 2004. 112 pages.</p><br>
<p>The Walnut Grove Cemetery is a historic cemetery in rural Independence County, Arkansas, United States, on Walden Road, just north of Arkansas Highway 25, northwest of Cord. Established in 1840, it is one of the oldest cemeteries in the area, set on what was once the only major roadway through the region. It is the only significant surviving element of the community of Walnut Grove, which was located at a locally important crossroads in the 19th century.</p><br>
<p>The cemetery was listed on the National Register of Historic Places in 2013.</p><br>
<p>The Wheel Store is a historic commercial building at River and Broad Streets in Batesville, Arkansas. It is a two-story ashlar sandstone structure, with a flat roof. Its front facade has a single storefront, with two now-filled window openings flanking the entrance on the first level, and two windows above. The building was erected in 1887 to house a store and meeting space for a local chapter of the Agricultural Wheel, an agrarian reform organization established in Arkansas in the early 1880s.</p><br>
<p>The building was listed on the National Register of Historic Places in 1988.</p><br>
<p>The Wyatt House is a historic house at Gainer Ferry Road and Arkansas Highway 25 in Desha, Arkansas. It is a two-story I-house, three bays wide, with a side gable roof, end chimneys, and a single-story ell extending to the rear. The oldest portion of the house, its first floor, was built about 1870 as a dogtrot. In about 1900, the breezeway of the dogtrot was enclosed, and the second story and ell were added. The property also includes a stone wellhouse dating to the enlargement. The house was built by Samuel Wyatt, a veteran of the American Civil War.</p><br>
<p>The house was listed on the National Register of Historic Places in 1999.</p><br>
<p>The Portsmouth Company was a cotton mill established in 1832 in South Berwick, Maine, USA, one of several in the area. It was operated for many years under the control of the Portsmouth, New Hampshire-based Hale family.</p><br>
<p>Its counting house is now a museum operated by the Old Berwick Historical Society.</p><br>
<h2>History</h2><br>
<p>The Portsmouth Company cotton mill was incorporated in 1831. It operated a large mill in South Berwick, Maine.</p><br>
<h2>The Counting House museum</h2><br>
<p>The Counting House is a historic industrial building at Main and Liberty Streets in South Berwick, the only company structure to survive. Although it is traditionally given a construction date of 1832, architectural evidence suggests a later one around 1850. It was listed on the National Register of Historic Places in 1975, and is now home to the Old Berwick Historical Society, which operates it as the Counting House Museum.</p><br>
<h3>Description</h3><br>
<p>The Portsmouth Company Counting House is a 2½ story brick structure set at the southern corner of Liberty Street and Main Street (Maine State Route 4), on the eastern bank of the Salmon Falls River. It sits on a granite foundation and is topped by a steeply-pitched gabled roof. The gable ends are fully pedimented, with a recessed triangular panel featuring a three-part rectangular window on each end. The building corners are pilastered in brick, with a brick entablature encircling the building below the roof. The south-facing main facade is five bays wide, articulated by brick pilasters. The entrance is on center, accessing three rooms on the first floor and a large open space on the second. The interior has well-preserved Greek Revival woodwork.</p><br>
<p>The Horner House is a historic house at 2 Merrivale Street in Beverly Shores, Indiana. It is an excellent example of the mid-twentieth century architectural movement known as the International Style, interpreted by architects like Marcel Breuer, Ludwig Mies van der Rohe, Walter Gropius and Philip Johnson for buildings constructed in America following World War II. It is the work of a master artist of the second generation to be influenced by this school, the Swiss architect and designer, Otto Kolb.</p><br>
<p>The Horner House is designed into the landscape and reflects a movement toward increased ecological and environmental awareness in the second half of the twentieth century. It was listed on the National Register of Historic Places in 1996.</p><br>
<h2>Exterior</h2><br>
<p>The overall design of the house is straightforward: glass, redwood and pine lumber, transits with some aluminum and brass flashing. The roofs are flat; built-up with paper, tar, and gravel and in some cases, on the terraces, the addition of pine duck boards. The main house is a 24 by rectangle. The first floor has a one-story living room and screened porch extended from the two-story portion. The rest of the main floor includes a kitchen, bathroom and small study or guest room. The second floor has a bathroom, a large bedroom and a second bedroom/studio.</p><br>
<p>The north and south walls of the one-story living room are wood framed 4 x columns. The columns are carried beneath the floor line to rest on concrete block foundation walls. 2 x floor joists on 16 in centers carry the rough floor.</p><br>
<p>The full-height exterior bay walls are of plate glass. The glass was shipped from Pittsburgh, on special order, by rail and delivered to the contractor at the site for erection. One of the panels, on the screen porch or south side of the living room wall, is capable of sliding open to a full door of 8 x, by means of a continuous steel slide and steel barn door hangers.</p><br>
<p>As stated above, the exterior materials used in the Horner House include naturally bleached heart redwood, bevelled joint cladding, always used vertically, and plate glass. The two-story core of the main house contains manufactured casement windows, transite spandrels and heads with redwood corners and facias. The doors are solid lumber core, stained and varnished.</p><br>
<p>The screened porch is constructed of four built-up columns, suspended from the cantilevered ceiling joists. The floors are pine varnished. The copper screen has been attached with copper-headed nails to the uprights in 36" horizontal bands and then hand-sewn with copper wire at the selvage edges to form a floor-to ceiling screen "wall", in four bays, along its 32 ft length. The screens presently in place on the porch are original.</p><br>
<p>The basement lies beneath the two-story core portion of the main house. It has no exterior openings and contains a gas furnace, a water heater and several appliances.</p><br>
<h2>Interior</h2><br>
<p>The compact, efficient kitchen utilizes white steel cabinets with grey sliding doors and clean white formica counter tops. All are original. An obscure glass pass-through serves both the living room and the screened porch.</p><br>
<p>The interior of the main house is remarkable in that a great deal of ingenuity was employed in the utilization of space, in the design of cabinets, the efficient arrangement of utilities and furniture, even in the location of permanent lighting fixtures. The integrity of the interior is extremely high, with only slight changes having taken place since its construction. For example, an interior ventilation system, based on narrow, below-window hinged wooden panels, has been permanently closed and is rarely used today, but a workable transom survives over the front door and the south plate glass windows. The former are the only non-operable features in the house.</p><br>
<h2>Guest House</h2><br>
<p>The other two structures, which comprise the residence, are detailed similarly to the main building, but they do not include any large paned (floor to ceiling) glass windows. The two story Guest House, 18 x was originally designed as a one-room workshop. In 1965, a second story was added. It is quite sensitive to the architect f s design and maintains the footprint of the original plan. On the roof of the canopy, which connects the main house with the garage and the guest house (former workshop), a lightweight screened terrace was added. In addition, a timber frame was constructed on the north elevation of the guesthouse to provide a screened patio and outdoor shower.</p><br>
<h2>Garage</h2><br>
<h2>Bibliography</h2><br>
<p>Bailey, Liberty Hyde, Hortus Third, A Concise Dictionary of Plants Cultivated in the United States and Canada, New York, Macmillan Pub. Co., 1976.</p><br>
<p>Baily, E. Stillman, The Sand Dunes of Indiana, Chicago, A. C. McClung & Co., 1917.</p><br>
<p>Ball, T. H., Northwestern Indiana from 1800 to 1900..., Chicago, Donohue & Henneberg, 1900.</p><br>
<p>Blake, Peter, Marcel Breuer: Architect and Designer, New York, Architectural Record/Museum of Modern Art, 1949.</p><br>
<p>Boyden, Sarah, "The Indiana Dunes - A Wealth of Natural Wonders", Midwest Magazine, the Chicago Sun-Times, Chicago, June 30, 1963.</p><br>
<p>Cressey, George Babcock, "The Indiana Sand Dunes and Shore Lines of the Michigan Basin", The Geographic Society of Chicago Bulletin #8, Chicago, Univ. of Chicago Press, 1928.</p><br>
<p>Drury, John, This is Porter County, Indiana, 1956.</p><br>
<p>Foster, Steven, Herbal Bounty!, The Gentle Art of Herb Culture, Salt Lake City, Utah, Peregrine Smith Books, 1986.</p><br>
<p>Girschweiler, Von Heinz, "&#39;Chicago-Kolb f im runden Wintergarten", Tages-Anzeiger Montag, (Region Zurich), Switzerland, 14, September, 1992.</p><br>
<p>Goodyear, Frank H., Archaeological Site Science, New York, American Alsevier Pub. Co., 1971.</p><br>
<p>Gruning, Christa & Michael, "Architekt und Designer Otto Kolb, Vom Ziegel zum Ting", in 50 Jahre Otto Kolb Design, MSS, Switzerland, 1992.</p><br>
<p>Hatje, Gerd, Ed., Encyclopedia of Modern Architecture, New York, Harry N. Abrams, Inc., 1964,</p><br>
<p>Historic Landmarks Foundation of Indiana, Porter County Interim Report, Indianapolis, Indiana, Division of Historic Preservation & Archaeology, 1991.</p><br>
<p>Historic Landmarks Foundation of Indiana, LaPorte County Interim Report, Indianapolis, Indiana: Division of Historic Preservation & Archaeology, 1989.</p><br>
<p>House in Indiana by Otto Kolb", Arts & Architecture, New York, October 1952.</p><br>
<p>Joss, Liz, "Celebrated Houses Now in Danger", Indiana Preservationist, Mar /Apr., 1994.</p><br>
<p>Kolb, Otto, Arch., "Casa Vicino al Lago", DOMUS, Milan, Italy, 1953.</p><br>
<p>Kolb, Otto, Arch., "House in Beverly Shores, Indiana", AC1, International</p><br>
<p>Asbestos -Cement Review, Zurich, Switzerland, Editions Girsberger, January 1956.</p><br>
<p>Martin, Alexander C., Weeds, New York/ Racine WI, Golden Press/ Western Publishing Co, 1972.</p><br>
<p>McAlester, Virginia and Lee, A Field Guide to American Houses, Alfred A. Knopf, New York, 1992.</p><br>
<p>Ramsey, Charles George, Architectural Graphic Standards, Third Edition, New York, John Wiley & Sons, Inc., 1948.</p><br>
<p>Storrer, William Allin, The Architecture of Frank Lloyd Wright, A complete catalog, Cambridge, MA, The MIT Press, 1989.</p><br>
<p>Symonds, George W. D., The Tree Identification Book, New York, William Morrow, 1958.</p><br>
<p>Taft, William G., Beverly Shores and the Development of the Modern Suburban Resort, Unpublished MSS, in library of Historic Landmarks Foundation of Indiana, Indianapolis, IN.</p><br>
<p>"Vacation House Plans", Home Building Ideas for 1963, New York, Better Homes & Gardens., 1963.</p><br>
<p>Whitford, Frank, Ed., The Bauhaus, Masters & Students by Themselves, London: Conran Octopus Ltd., 1992.</p><br>
<p>Wolfe, Tom, From Bauhaus to Our House, New York, Farrar Straus Giroux, 1981.</p><br>
<p>Ziehr, Dr. A., and Kolb, Otto, Das Einfamilien Hause, Switzerland, 1987.</p><br>
<p>The Bartlett Real Estate Office, also called the Frederick Bartlett Real Estate sales and administration building, was built in 1927 at 500 S. Broadway, Beverly Shores, Porter County, Indiana. It is Mediterranean Revival style. Bartlett also chose this style for the houses in his new development of Beverly Shores. Since 1946, it has served as the Beverly Shores Administration Building, with the clerk-treasurers office, a public and town council meeting room, and the town marshals office.</p><br>
<p>The town is a small community at the southernmost tip of Lake Michigan, 40 mi southeast of Chicago, Illinois. About 4,000 years ago, the dunes formed as a result of the formation of large bays, which silted up. In Beverly Shores, roads had to be graded through and over the dunes, and some areas were leveled off for development. The town is now an island of private homes surrounded by the Indiana Dunes National Lakeshore, a federal park administered by the National Park Service. Across Broadway is the original Beverly Shores South Shore Railroad Station. The station was the first point of contact for prospective clients of Bartlett&#39;s, and it presented a unified appearance to the development to clients, with its stuccoed Mediterranean Revival exterior.</p><br>
<h2>Exterior</h2><br>
<p>The Bartlett building is a one-story, masonry building with tan brick walls. The main entrance features an arch, which is the base to a two-story tower. It has a poured concrete foundation. The tower has iron railings and green wood trim. The main section has a flat roof with a rubber membrane, masked by a hipped skirt roofs on the parapets. This skirt roof is covered in green terra-cotta tile. The tower has a pyramidal hip roof covered in same green tile. It faces east onton Broadway, the main north-south road in the town. The Southshore, Chicago and South Bend Railway station is, leading from the interurban station to the Lake Michigan beach. It is a tripartite composition of two large storefront bays, flanking the arched central entrance tower. The sand-colored brick walls were laid with a variety of patterns: there is a soldier course around the foundation and above all storefront openings, and header courses for storefront sills (photo 3). At the front corners of the building, two large square piers extend into the parapet and interrupt the tiled roofs. These have slightly recessed vertical panels with basketweave brickwork – three vertical bricks alternating with three horizontal. The large, two pane plate glass storefront windows themselves were installed in 1995, to replicate the original configuration.</p><br>
<h2>Interior</h2><br>
<p>Originally, the interior was divided into two functions: a front sales office room consisting of one open space, and a rear section with living quarters for a salesman / caretaker. The two front doors led one into the sales room. There was a line of load bearing posts running down the center of the room. In the 1980s, the city had contractors divide the room, using the posts to define two separate rooms, yet the posts remain visible in the drywall. A door connects the two rooms toward the west end. The north side of the front area is now the office of the clerk-treasurer. A small area to the west of the north room was further divided off to provide a bathroom and storage space. The south side room remains largely open and is used as the meeting room for the town council (photo 6). The wood floors throughout are now covered in carpeting, however, the pressed metal ceiling remains exposed in all but the marshal&#39;s office. Schoolhouse style lights are not original but are similar to those once used in the building. There are also contemporary ceiling fans in each room.</p><br>
<p>In the meeting room, an original arched vertical car-sided door remains on back wall. It led to a hallway of the caretakers quarters. The marshals office occupies most of the former caretakers office now. Though ceilings were lowered with a suspended tile system in the marshals office, the original Murphy bed from the building&#39;s caretaker days remains in place.</p><br>
<h2>Bibliography</h2><br>
<p>Cohen, Ronald D. and McShane, Stephen G. Moonlight in Duneland, the Illustrated Story of the Chicago, South Shore and South Bend Railroad. Bloomington and Indianapolis: I.U. Press, 1998.</p><br>
<p>Indiana Historic Sites and Structures Inventory. Porter County Interim Report. Indianapolis: Historic Landmarks Foundation of Indiana, 1991.</p><br>
<p>McAlester, Virginia and Lee. A Field Guide to American Houses. New York: Alfred A. Knopf, 1997.</p><br>
<p>Morrow, James. Images of America, Beverly Shores, A Suburban Dunes Resort. Chicago: Arcadia Publishing, 2001.</p><br>
<p>National Register of Historic Places Inventory-Nomination Form. Beverly Shores – Century of Progress Architectural District, listed, 6-30-86.</p><br>
<p>Papard, Pauline. "Beverly Shores Celebrates 50th Anniversary," Michigan City News Dispatch, January 5, 1997, pp. 1 and 6.</p><br>
<p>Stodola, Barbara. "Carl O. Reed and the Wide-Awake World of Beverly Shores," The Beacher, vol. 19, no. 30, July 31, 2003, pp. 1–5.</p><br>
<p>Taylor, Robert Jr., et al. Indiana: A New Historical Guide. Indianapolis: Indiana Historical Society, 1989.</p><br>
<p>The Cremane House is a historic house in White County, Arkansas. It is located on the south side of County Road 95 , about 1 mi southeast of Bradford. It is a two-story wood frame double-pile structure, with a bellcast roof and novelty siding. It was built c. 1910, and is one of a small number of vernacular houses to survive in the county from this period.</p><br>
<p>The house was listed on the National Register of Historic Places in 1992.</p><br>
<p>The Col. John Critz Farm Springhouse was a historic farm outbuilding in rural western White County, Arkansas. It was located northwest of Searcy on the south side of County Road 818. It was a single-story masonry structure, fashioned out of a combination of cut and rustic rubble stone and covered by a gabled roof. The westernmost part of the building, which housed the well, was enclosed in wooden latticework, with a latticework door providing access. Built in 1858, it was the oldest known springhouse in the county, and was also unusual for its mixed stone construction.</p><br>
<p>The building was listed on the National Register of Historic Places in 1992.</p><br>
<p>The Cross House was a historic house at 410 South Main Street in Beebe, Arkansas. It was a -story L-shaped wood-frame structure, with a cross-gable roof and novelty siding. The front-facing gable had a pair of sash windows with pedimented gables. A porch, with a shed roof supported by Doric columns, stood at the crook of the L. The house was built about 1900, and was one White County&#39;s few surviving L-shaped houses from that period.</p><br>
<p>The house was listed on the National Register of Historic Places in 1992. and was delisted in 2018.</p><br>
<p>The Warsaw Historic District is a historic district encompassing the inner core of Warsaw, Hancock County, Illinois. As the city has lost many of its outlying residential areas, the district includes nearly all of the towns developed area, which has been relatively unchanged since the late 19th century. The city was settled in the 1810s and 1820s as a military outpost on the Mississippi River and was platted in 1833. As an economically significant port city, the town grew steadily until the 1870s, reaching a peak population of 5,000 to 15,000 people; it has declined since and now has less than 2,000 residents. The towns historic buildings include a commercial core along Main Street and low-density residential areas in the rest of the district. The Greek Revival, Federal, and Italianate architectural styles are all well-represented among the district&#39;s buildings.</p><br>
<p>The district was added to the National Register of Historic Places on December 16, 1977.</p><br>
<p>The Batcher Opera House Block is a historic 1907 building located in downtown Staples, Minnesota, United States. It contained commercial business on the first floor and an opera house on the 2nd floor. The opera house was an entertainment venue that featured live theater productions from 1907 until the 1920s. It was placed on the National Register of Historic Places in 2004.</p><br>
<h2>History</h2><br>
<p>Started in 1905 and completed in 1907, the building was originally intended to house commercial businesses such as grocery, dry goods, and hardware. Charles Edward Batcher, the owner and probable architect, halted construction for more than a year until it was clear that another new building in town, raised by the local Odd Fellows, would not include an opera house. Batcher then decided to include an opera house and restarted construction in the spring of 1907, adding a third story to the design. Yet another new building in town, by Thomas J. Sharkey, did add an opera house, which opened as Sharkeys Opera House at about the same time as the Batcher Opera House opened. Batchers Opera House was the more influential of the two, and though Sharkey&#39;s continued as an entertainment venue, it was lost to fire in 1918.</p><br>
<p>Traveling theatrical groups had fallen out of favor by the early 1920s as motion pictures became popular and theatrical shows became more expensive. Though Batcher added a movie projector to the balcony of the opera house in the late 1910s, movies ended there in the early 1930s. The opera house was used as a roller skating rink in the 1930s and 1940s, and was used for storage thereafter.</p><br>
<p>The building is approximately 90 feet by 100 feet. The opera house occupied the second floor, 50 feet by 100 feet with a 24 x 50 stage and a 24 x 24 balcony.</p><br>
<p>In 2019, the application for the restoration of the opera house began. Funding for the restoration is underway. The project entails full restoration of the 1907 building back to an arts and entertainment venue serving the city of Staples and surrounding communities. Current information on the restoration can be seen on the new website: https://www.batcherblockoperahouse.com.</p><br>
<p>Cambre House and Farm is a historic farmstead located southwest of Niota, Hancock County, Illinois, United States. The farmhouse was built in 1867 by Adolphe Cambre, a French immigrant and member of Nauvoos short-lived Icarian community. A carpenter by trade, Cambre designed several of the communitys buildings while the Icarians occupied Nauvoo in the 1850s. While many of the Icarians resettled in Corning, Iowa after their Nauvoo colony failed, Cambre remained in Hancock County, eventually building the Creole-inspired house for his family. The house is similar in design to the Icarians&#39; other buildings and is the only surviving Icarian-designed building in Hancock County.</p><br>
<p>The house was added to the National Register of Historic Places on November 13, 1984.</p><br>
<p>The Cobe Estate, also known as Cariad or Oak Hall, is a historic summer mansion house on Bluff Road in Northport, Maine. Overlooking Penobscot Bay, this 1910s mansion is one of the largest Colonial Revival houses in the state. It was built in 1912-14 for Chicago lawyer Ira M. Cobe, and was listed on the National Register of Historic Places in 1983.</p><br>
<h2>Description and history</h2><br>
<p>The Cobe Estate is in northern Northport, on the west side of Bluff Road just south of the Bayside neighborhood and the Northport Golf Club. The house is a large 2- story structure, whose main section and side wings are finished in brick. Its long facades face the northeast and southwest, and are sheltered by two-story colonnades of columns, round on one side and square on the other. The southwest colonnade is topped by a Colonial Revival railing, protecting a balcony space accessible from the attic level. Two-story wings extends the house&#39;s length, with one end also sporting sunporches.</p><br>
<p>The interior of the house is lavishly appointed, with marble and carved woodwork widely used. The central hall has flanking wooden staircases rising to a common landing. Walls feature both wooden and plaster paneling, with the music room particularly decorated with designs incorporating musical instruments. All of the rooms are Colonial Revival in style except for the library, which has Gothic features.</p><br>
<p>The house was designed by Marshall & Fox, a leading Chicago architectural firm, and was built in 1912-14 for Ira M. Cobe, a Chicago lawyer and investment banker. Cobe&#39;s wife Anne was from Belfast, Maine, and the house was built in Northport so that she could be nearer her family in the summertime.</p><br>
<p>The estate grounds were designed by Warren H. Manning.</p><br>
<p>The J.L. Prescott House is a historic house on High Street in North Berwick, Maine. Built in 1865 for a prominent local businessman, it is one of the largest and most elaborate Italianate houses in southern Maine. It was listed on the National Register of Historic Places in 1985. It has been converted into a multiunit apartment house.</p><br>
<h2>Description and history</h2><br>
<p>The Prescott House is located on the east side of High Street (Maine State Route 4), opposite the Mary R. Hurd School north of the village center of North Berwick. It is a rambling wood-frame structure, with a large -story main block connected to a large carriage barn via a telescoping series of ells. The main block is oriented facing south, with a side gable roof and a four-story tower with a mansard roof projecting slightly from the center bay. Window bays with bracketed roofs project from the south and west sides, and most windows are paired narrow sash topped by cornices. Both the main block and carriage barn have wooden corner quoining. Porches feature chamfered posts, and bracketed roofs with pendants.</p><br>
<p>The house was built in 1865 for J.L. Prescott, owner of the Prescott Stove Polish Company, which was then located in North Berwick. The house is one of only two 19th-century houses of serious architectural merit; the other is the Queen Anne Mary R. Hurd House. Although Prescott was involved in state politics, he moved (along with his company) to New Jersey in the 1880s. After declining in condition during the 20th century, the house has been restored to house several apartments.</p><br>
<p>The La Harpe City Hall, located at 207 East Main Street, is the historic city hall serving La Harpe, Illinois. Built in 1894, it housed City Council meetings as well as the town&#39;s police and fire departments. As the city had undergone significant commercial growth in the late 19th century, the city council was busy discussing and voting on infrastructure to support a larger city. In addition to giving itself a permanent meeting place in the city hall, the council approved a water works in response to a major fire in 1893 and included a jail in the city hall to aid the police department. After settling in its new city hall, the city council continued to develop the community by funding an electric power plant, supporting a public library, and aiding in efforts to pave Main Street.</p><br>
<p>The city hall was added to the National Register of Historic Places on November 14, 1991.</p><br>
<p>The Newton Sutterfield House is a historic house at 1797 Horton Hill Road in Alco, Arkansas. It is a single-story double-pen log structure, finished in weatherboard siding and topped by a gable roof. A porch extends across the front, sheltering separate entrances into each pen. The houses construction date is uncertain, but is estimated to be about 1850. It is one of Stone Countys few pre-Civil War structures to survive.</p><br>
<p>The house was listed on the National Register of Historic Places in 2003.</p><br>
